![]() Lloyd found them through an agency and hired them for the day, paying them $25. He said that the names of most of the models were unknown. “Does anyone know who that is?” No one did. “She looks familiar,” Goldstein said of another model. (Stereoscopic photos are, in this respect, a lot like Ingres paintings.) As in all the photos, the fabric is rendered in vivid, tactile detail, while the model’s skin is dull, perfect, and cold. “This is one of Harold’s kitschy setups,” Goldstein said of a photo of a woman spilling out of a treasure chest amidst a profusion of silks. “Wow,” someone said of the next image: Monroe leaning forward against the same bookcase in a lacy black bra and negligé, staring expectantly into the camera. We saw Monroe, a friend of Lloyd’s, in her simply decorated apartment, resting against a bookcase in a long peach-colored dress. She was a tough act to follow, but Marilyn Monroe did the trick, lounging by Lloyd’s pool in a pink one-piece in 1953, at the height of her fame-one arm behind her head, the other holding a glass (Goldstein speculated it was Coca-Cola), gazing with vague contentment off to the right. In another, a buxom woman stood triumphantly, a brick staircase rising realistically behind her. A long, low whistle greeted a photo of a woman peering seductively through a delicate wrought-iron grille. Still, the audience made an effort to get into the illicit spirit with an occasional moan or catcall. (Stereoscopic imagery tends to give realistic depth and weight to scenery, but not to bodies.) For a viewer with a sense of the extremes of contemporary pornography, it-like the rest of the images-was unexpectedly gentle and lovely. An arcade of trees-the picture was taken at Greenacres, Lloyd’s 16-acre Beverly Hills estate-receded into the distance, creating an idyll. ![]() It was of a busty blonde woman with large areolae and flawless skin leaning back against a huge stone fountain, fur-trimmed wrap falling off her shoulders. They gasped again when the next image appeared. “I think he made about 300,000 3-D photos.” The audience gasped. ![]() “Harold Lloyd had a lot of money and a lot of time on his hands after he retired,” Goldstein explained. Goldstein and Dinkins eased us into the risqué pictures with an innocuous beginning: the iconic shot of Harold Lloyd hanging from the minute hand of a gigantic clock in the 1923 film Safety Last! This was followed by an equally tame portrait of a grinning Lloyd, decades later, holding his beloved “stereorealist” 3-D camera, for which he was, Dinkins said, “a mad enthusiast.” The crowd was, though, disproportionately male, which may have as much to do with the demographics of 3-D movie connoisseurs as the demographics of nude photography lovers. ![]() If you can't make it to the Fenty Beauty Drive during these three days, don't panic! On October 25 and 26, 2023, the pop-up will move to the Parvis de La Défense to give you a second chance to find your ideal foundation.“Is there anyone underage here?” Goldstein asked at the start, in all seriousness. Tips for the week of October 23-29, 2023 in Paris: free or inexpensive outings.Shopping idea: Where to shop some good deals in Paris?.Quality and innovation are the watchwords of Fenty Beauty, with flagship products such as Pro Filt'r Soft Matte Longwear Foundation and Killawatt Freestyle Highlighter.Īnd that's not all! On Monday, Octoat 10 a.m., Lena Situations will inaugurate the pop-up store! A unique opportunity to meet the social networking starlet. Today, with 50 foundation shades, it continues to turn standards upside down with products to suit every skin tone. Looking for the perfect foundation to reveal your unique beauty? You've come to the right place! From October 9 to 11, 2023, the parvis de la Gare Saint Lazare will host the Fenty Beauty Drive pop-up store to help you find the shade that will make you glow! And it's all 100% free!įounded in 2017 by singer Rihanna, Fenty Beauty has quickly become an iconic makeup brand, famous for its bold vision of inclusivity in the beauty industry.
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